The Duchess Who Turned to Witchcraft

Desperate for her husband to be king, a duchess conspired with witches to melt a wax effigy of a young king.

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An elite royal power grab using the dark arts ended in a brutal, multi-stage public humiliation through the heart of London. 🏰🔮

Eleanor Cobham, the Duchess of Gloucester, was married to the heir to the English throne. Desperate for her husband to become King, Eleanor secretly consulted astrologers, sorcerers, and a notorious witch named Margery Jourdemayne. Together in the dark, they engineered a treasonous plot: they created a magical wax effigy of the young King Henry VI, slowly melting it over a flame to cast a deadly sickness upon him through black magic.

The Horror

When the King’s guards uncovered the dark chamber, the plotters were instantly arrested. Because Eleanor was of royal blood, she avoided the executioner’s blade, but her punishment was so medieval that the state engineered a multi-stage psychological destruction to completely strip away her elite status.

Over three separate days, the Duchess was forced to perform a grueling public penance. Barefoot, clad only in a plain white kirtle, and holding a massive, heavy wax candle, she was paraded through the freezing, cobblestone streets of London. At three distinct city locations—including St. Paul’s Cathedral—she was forced to bow before a jeering crowd of thousands while her co-conspirators were brutally executed around her. She was then stripped of her titles and condemned to a lifetime of dark, isolated imprisonment in a remote castle.

The Modern Relic

You can stand right at the grand historic epicenter where this royal duchess performed her ultimate public humiliation by visiting St. Paul’s Cathedral in London, England. While the modern cathedral was rebuilt after the Great Fire of London, it sits on the exact, elevated historic ground where Eleanor was forced to climb the stone steps in her bare feet under the gaze of a hostile city. Walking the grounds today gives you a chillingly close perspective on the thin line between medieval royal luxury and total, public destruction.

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